July 2009 Archives

Aspects of the Novel

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Aspects of the Novel Aspects of the Novel by E.M. Forster


My rating: 4 of 5 stars
Overall, I enjoyed reading this book. As other reviewers have noted, this was a series of lectures, and therefore should NOT be considered a guide on "how to write a novel." If, however, you have a background in English literature and want to write a novel, then you may find this book an interesting exercise in critical analysis.

I found the sections on story, people (parts 1 and 2), and plot thought-provoking and insightful. What made these sections most interesting were how Forster used examples to explore his analysis. Even though he refers to several novels I have never read, he provided sufficient context that I was able to understand his points with relative ease. Having read these section, I feel that I will be able to assess my own work to see how it stands up in each area.

I struggled a bit with the section on prophecy as it stabbed at my memories of reading Moby Dick, Billy Bud, and The Brothers Karamazov, from almost 20 years ago. Even so, combined with Forster's examples and analysis, I remembered enough to feel like I had a reasonable grasp of the analysis. That said, I think it will be worthwhile to revisit at least one of those books in the near future and then reread this section to see if I really understood it.

When Forster's subjects increased in complexity, diving into the more nuanced aspects of fantasy and patterns & rhythm, I floundered. I found it nearly impossible to fully understand his points without having read the novels from which he drew his examples. The concepts of rhythm & patterns in particular I feel are macro-level elements that one can only really appreciate in the context of having read an entire novel. Because of this, I didn't feel as though his examples could do the concept justice. I have limited experience reading Henry James, and none with Marcel Proust, Anatole France, or Percy Lubbock, all of whose novels Forster used as examples, so I had reason to flounder. And, unlike my interest in Melville or Dostoyevsky's work, I honestly have no interest in reading these authors, so it seems that my only opportunity to gain insight into Forster's analysis on fantasy and rhythm & patterns will be if I read some of his novels in which I hope he managed to demonstrate some of his advice.

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